Yudoseputro (2000: 98) that means the image yaang written batik on fabric by using the night as well as media of batik cloth cover. In addition, a fine arts expert argued that the art of batik is an Indonesian national culture of high value. Because it is only fitting improved and developed (Widodo, 1983: 1). As for a book that says that batik is a material made of textiles and clothing for the purposes of completenessof everyday life. Textiles are made with batik technique or process forsuch clothing, a cloth covering the body, household ornaments, andother equipment that are all intended to beautify.
About Batik in Indonesia
Batik art still flourish in Indonesia, known by the whole society. When we compare what we know today batik with batik decades ago, not somuch change; both materials, how well s type. Nature is what causes the batik art is easy to learn, from generation to generation (Widodo,1982: 2).
Judging from historyBatik art still flourish in Indonesia, known by the whole society. When we compare what we know today batik with batik decades ago, not somuch change; both materials, how well s type. Nature is what causes the batik art is easy to learn, from generation to generation (Widodo,1982: 2).
Both Prof. M. And Prof. Yamin. Dr. R.M. Sutjipto Wirjosuparta, arguedthat the batik in Indonesia has been around since the days of Sriwijaya,China in the Sung or T'ang dynasty (age 7-9). Batik-producing towns,among others: Pekalongan, Solo, Yogyakarta, Lasem, Banyumas,Purbalingga, Solo, Cirebon, Tasikmalaya, Tulunggagung, Ponorogo,Jakarta, Tegal, Indramayu, Ciamis, Garut, Kebumen, Purworejo,Klaten, Boyolali, Sidoarjo , Mojokerto, Gresik, Ghost, and Wonogiri(Widodo, 1983: 2-3). the history of batik is estimated to begin inprehistoric times in the form prabatik and achieve its developmentprocess in the time of the Hindu. In accordance with environmental art and culture time of the Hindu art of batik is an art palace. With bakuantradition passed on to the Islamic era. The results have been achievedat the time of the Hindu, both technically and aesthetically, in the days ofIslam are developed and updated with new elements (Yudaseputro,2000: 97).
